beatriz mendoza
beatriz mendoza
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aleworldaddict:

Zuhair Murad Haute Couture s/s 2014
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sofiazchoice:

Andreea Diaconu for Alexis Mabille Details HC A’12
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naturallyaprincess:

Beauty, Love, Passion, & Inspiration
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ithought-perhaps:

f-l-e-u-r-d-e-l-y-s:

Seon-ghi BAHK’s Cascading Charcoal,Sculptures
on artnet
There is something intrinsically fascinating about seeing the ordinary created in new, surprising ways. Artist have long used this technique to make their viewer contemplate new connections and possibilities, and the internet has proven to be a particularly useful tool in spreading this type of work. South Korean artist Seon Ghi Bahk is an expert at this method. Using charcoal and other natural materials en masse to form familiar objects. Bahk reminds of us the connection between man-made goods and their source.
 ”I first used stones as materials for the installations…but the supporting structure and installation became unnecessarily large and overwhelmed the stones so I replaced the stones with charcoal. Since I spent my childhood out in nature, I wanted to embrace natural things in my work. I found that my favorite things in nature were wind, mountains and trees. But it was difficult to express wind or mountains in my work, so I chose trees as an alternative, and charcoal comes derives from that…now I seek natural encounters between man and culture…I emphasize the materiality in its poetic shapes.”


Motherfucking art
ithought-perhaps:

f-l-e-u-r-d-e-l-y-s:

Seon-ghi BAHK’s Cascading Charcoal,Sculptures
on artnet
There is something intrinsically fascinating about seeing the ordinary created in new, surprising ways. Artist have long used this technique to make their viewer contemplate new connections and possibilities, and the internet has proven to be a particularly useful tool in spreading this type of work. South Korean artist Seon Ghi Bahk is an expert at this method. Using charcoal and other natural materials en masse to form familiar objects. Bahk reminds of us the connection between man-made goods and their source.
 ”I first used stones as materials for the installations…but the supporting structure and installation became unnecessarily large and overwhelmed the stones so I replaced the stones with charcoal. Since I spent my childhood out in nature, I wanted to embrace natural things in my work. I found that my favorite things in nature were wind, mountains and trees. But it was difficult to express wind or mountains in my work, so I chose trees as an alternative, and charcoal comes derives from that…now I seek natural encounters between man and culture…I emphasize the materiality in its poetic shapes.”


Motherfucking art
ithought-perhaps:

f-l-e-u-r-d-e-l-y-s:

Seon-ghi BAHK’s Cascading Charcoal,Sculptures
on artnet
There is something intrinsically fascinating about seeing the ordinary created in new, surprising ways. Artist have long used this technique to make their viewer contemplate new connections and possibilities, and the internet has proven to be a particularly useful tool in spreading this type of work. South Korean artist Seon Ghi Bahk is an expert at this method. Using charcoal and other natural materials en masse to form familiar objects. Bahk reminds of us the connection between man-made goods and their source.
 ”I first used stones as materials for the installations…but the supporting structure and installation became unnecessarily large and overwhelmed the stones so I replaced the stones with charcoal. Since I spent my childhood out in nature, I wanted to embrace natural things in my work. I found that my favorite things in nature were wind, mountains and trees. But it was difficult to express wind or mountains in my work, so I chose trees as an alternative, and charcoal comes derives from that…now I seek natural encounters between man and culture…I emphasize the materiality in its poetic shapes.”


Motherfucking art
ithought-perhaps:

f-l-e-u-r-d-e-l-y-s:

Seon-ghi BAHK’s Cascading Charcoal,Sculptures
on artnet
There is something intrinsically fascinating about seeing the ordinary created in new, surprising ways. Artist have long used this technique to make their viewer contemplate new connections and possibilities, and the internet has proven to be a particularly useful tool in spreading this type of work. South Korean artist Seon Ghi Bahk is an expert at this method. Using charcoal and other natural materials en masse to form familiar objects. Bahk reminds of us the connection between man-made goods and their source.
 ”I first used stones as materials for the installations…but the supporting structure and installation became unnecessarily large and overwhelmed the stones so I replaced the stones with charcoal. Since I spent my childhood out in nature, I wanted to embrace natural things in my work. I found that my favorite things in nature were wind, mountains and trees. But it was difficult to express wind or mountains in my work, so I chose trees as an alternative, and charcoal comes derives from that…now I seek natural encounters between man and culture…I emphasize the materiality in its poetic shapes.”


Motherfucking art
ithought-perhaps:

f-l-e-u-r-d-e-l-y-s:

Seon-ghi BAHK’s Cascading Charcoal,Sculptures
on artnet
There is something intrinsically fascinating about seeing the ordinary created in new, surprising ways. Artist have long used this technique to make their viewer contemplate new connections and possibilities, and the internet has proven to be a particularly useful tool in spreading this type of work. South Korean artist Seon Ghi Bahk is an expert at this method. Using charcoal and other natural materials en masse to form familiar objects. Bahk reminds of us the connection between man-made goods and their source.
 ”I first used stones as materials for the installations…but the supporting structure and installation became unnecessarily large and overwhelmed the stones so I replaced the stones with charcoal. Since I spent my childhood out in nature, I wanted to embrace natural things in my work. I found that my favorite things in nature were wind, mountains and trees. But it was difficult to express wind or mountains in my work, so I chose trees as an alternative, and charcoal comes derives from that…now I seek natural encounters between man and culture…I emphasize the materiality in its poetic shapes.”


Motherfucking art
ithought-perhaps:

f-l-e-u-r-d-e-l-y-s:

Seon-ghi BAHK’s Cascading Charcoal,Sculptures
on artnet
There is something intrinsically fascinating about seeing the ordinary created in new, surprising ways. Artist have long used this technique to make their viewer contemplate new connections and possibilities, and the internet has proven to be a particularly useful tool in spreading this type of work. South Korean artist Seon Ghi Bahk is an expert at this method. Using charcoal and other natural materials en masse to form familiar objects. Bahk reminds of us the connection between man-made goods and their source.
 ”I first used stones as materials for the installations…but the supporting structure and installation became unnecessarily large and overwhelmed the stones so I replaced the stones with charcoal. Since I spent my childhood out in nature, I wanted to embrace natural things in my work. I found that my favorite things in nature were wind, mountains and trees. But it was difficult to express wind or mountains in my work, so I chose trees as an alternative, and charcoal comes derives from that…now I seek natural encounters between man and culture…I emphasize the materiality in its poetic shapes.”


Motherfucking art
ithought-perhaps:

f-l-e-u-r-d-e-l-y-s:

Seon-ghi BAHK’s Cascading Charcoal,Sculptures
on artnet
There is something intrinsically fascinating about seeing the ordinary created in new, surprising ways. Artist have long used this technique to make their viewer contemplate new connections and possibilities, and the internet has proven to be a particularly useful tool in spreading this type of work. South Korean artist Seon Ghi Bahk is an expert at this method. Using charcoal and other natural materials en masse to form familiar objects. Bahk reminds of us the connection between man-made goods and their source.
 ”I first used stones as materials for the installations…but the supporting structure and installation became unnecessarily large and overwhelmed the stones so I replaced the stones with charcoal. Since I spent my childhood out in nature, I wanted to embrace natural things in my work. I found that my favorite things in nature were wind, mountains and trees. But it was difficult to express wind or mountains in my work, so I chose trees as an alternative, and charcoal comes derives from that…now I seek natural encounters between man and culture…I emphasize the materiality in its poetic shapes.”


Motherfucking art
ithought-perhaps:

f-l-e-u-r-d-e-l-y-s:

Seon-ghi BAHK’s Cascading Charcoal,Sculptures
on artnet
There is something intrinsically fascinating about seeing the ordinary created in new, surprising ways. Artist have long used this technique to make their viewer contemplate new connections and possibilities, and the internet has proven to be a particularly useful tool in spreading this type of work. South Korean artist Seon Ghi Bahk is an expert at this method. Using charcoal and other natural materials en masse to form familiar objects. Bahk reminds of us the connection between man-made goods and their source.
 ”I first used stones as materials for the installations…but the supporting structure and installation became unnecessarily large and overwhelmed the stones so I replaced the stones with charcoal. Since I spent my childhood out in nature, I wanted to embrace natural things in my work. I found that my favorite things in nature were wind, mountains and trees. But it was difficult to express wind or mountains in my work, so I chose trees as an alternative, and charcoal comes derives from that…now I seek natural encounters between man and culture…I emphasize the materiality in its poetic shapes.”


Motherfucking art
ithought-perhaps:

f-l-e-u-r-d-e-l-y-s:

Seon-ghi BAHK’s Cascading Charcoal,Sculptures
on artnet
There is something intrinsically fascinating about seeing the ordinary created in new, surprising ways. Artist have long used this technique to make their viewer contemplate new connections and possibilities, and the internet has proven to be a particularly useful tool in spreading this type of work. South Korean artist Seon Ghi Bahk is an expert at this method. Using charcoal and other natural materials en masse to form familiar objects. Bahk reminds of us the connection between man-made goods and their source.
 ”I first used stones as materials for the installations…but the supporting structure and installation became unnecessarily large and overwhelmed the stones so I replaced the stones with charcoal. Since I spent my childhood out in nature, I wanted to embrace natural things in my work. I found that my favorite things in nature were wind, mountains and trees. But it was difficult to express wind or mountains in my work, so I chose trees as an alternative, and charcoal comes derives from that…now I seek natural encounters between man and culture…I emphasize the materiality in its poetic shapes.”


Motherfucking art
ithought-perhaps:

f-l-e-u-r-d-e-l-y-s:

Seon-ghi BAHK’s Cascading Charcoal,Sculptures
on artnet
There is something intrinsically fascinating about seeing the ordinary created in new, surprising ways. Artist have long used this technique to make their viewer contemplate new connections and possibilities, and the internet has proven to be a particularly useful tool in spreading this type of work. South Korean artist Seon Ghi Bahk is an expert at this method. Using charcoal and other natural materials en masse to form familiar objects. Bahk reminds of us the connection between man-made goods and their source.
 ”I first used stones as materials for the installations…but the supporting structure and installation became unnecessarily large and overwhelmed the stones so I replaced the stones with charcoal. Since I spent my childhood out in nature, I wanted to embrace natural things in my work. I found that my favorite things in nature were wind, mountains and trees. But it was difficult to express wind or mountains in my work, so I chose trees as an alternative, and charcoal comes derives from that…now I seek natural encounters between man and culture…I emphasize the materiality in its poetic shapes.”


Motherfucking art
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adidasoriginals:

Dropping worldwide April 1st.
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darksilenceinsuburbia:

Maud Vantours
3D Paper
darksilenceinsuburbia:

Maud Vantours
3D Paper
darksilenceinsuburbia:

Maud Vantours
3D Paper
darksilenceinsuburbia:

Maud Vantours
3D Paper
darksilenceinsuburbia:

Maud Vantours
3D Paper
darksilenceinsuburbia:

Maud Vantours
3D Paper
darksilenceinsuburbia:

Maud Vantours
3D Paper
darksilenceinsuburbia:

Maud Vantours
3D Paper
darksilenceinsuburbia:

Maud Vantours
3D Paper
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uni-cxrns:

クィーン // queen